There’s a perfectly natural reason as to why Dalton Domino’s debut LP, 1806, carries a varied and skillfully unpredictable quality to it. Domino is filled with the wandering spirit of a storyteller that’s never content with simply drawing from the tales of others. Over his life, he’s lived in a number of places, some of them such as Frisco, Texas and Las Vegas, Nevada, might as well be on different planets for all of the contrasts a perceptive fellow like Domino can tune into. Though he’s also lived in Alabama and Mississippi, a couple of states with a rich musical heritage to rival most states, Domino says Lubbock, Texas, no matter where else has laid his head or worked a job, has been, and always will be home.
“I was born in Memphis, and I’ve lived in several spots,” explains Domino. “But I seem to move every five years, and Lubbock is the place I lived the longest, so that is where I’ll always call home.”
Another key driving factor to Domino’s ability to expertly proffer a number of styles that still feel cohesive and thoughtful on 1806 is in the musical upbringing he enjoyed. Whether it was the hymnal singing from his Grandmother, or the 1950’s Sun Records his Grandfather would play, Domino soaked it all in – even the heavy metal his own step-father would often listen too. Indeed, Domino’s formative youth was somewhat unusual, and as a result, his musical choices of the past, might seem strange, given the powerfully grizzled way he can deliver a sage line of West Texas wisdom now.